November 5th through December 11th
Opening reception on Friday, November 5th from 7- 10pm
David B Smith Gallery
1543 A Wazee Street
Denver, CO 80202
I am pleased to share my new collection of paintings with you.
The inspiration for these paintings came from an old alchemists engraving from around the 16th century. The engraving consists of multiple images that illustrate a personified narrative of the chemical transformation of metals moving from one solid to disintegration and reconfiguration. The iconographic device used in this engraving is that of the archetypal king whose power is shifts between tyranny and freedom.
This series of images of this alchemical engraving enchanted my imagination, and has become a grounding source for this current body of work and the work that is to come. A story evolved for me surrounding the theme of death and rebirth at the core is a meditation on transformation. These ideas had to find expression through my existing lexicon of myth and imagery, so I began to invent and develop a cast of characters and situations that for me served to interpret the essence of my source material, the "old wine new bottle" approach.
With all of my imagery they stand as metaphors, not event action or event is to be taken literally. The depiction of death or dying in this series could be seen as a relationship, the ending of a job, an inner life change. The hyenas could be that group of bullies you may have encountered after school, or the negative critical voice we all have at times in our head that keep us from living out our dreams. One could think of this work as an expression of the individual personality. We all have within us the potential for love and compassion as well as aggressive tendencies, we as a culture are capable of great communal achievement as well as the destructive and tyrannical manifestations that we have sadly seen throughout history. It is not to say that one is good and one bad, it is to acknowledge that these energies and drives are hardwired into our psychology and physiology.
The other exciting news I have to share with you is that there will be a print release for this show.
Please contact the David B Smith Gallery for more information about the release and if you have not done so already sign up to receive the gallery newsletter.
Thank you for your interest and support of my work, feel free to swing by the Josh Keyes Forum or visit my facebook page.
November 5th - December 11, 2010
Opening reception: this Friday, November 5th, 7pm to 10pm
Artist in attendance
Free and open to the public
Acrylic on wood
30 x 40 in. (76.2 x 101.6 cm)
DENVER - The David B. Smith Gallery is pleased to announce the opening of Josh Keyes' new solo exhibition, Collision. Keyes is a widely collected, highly regarded artist with a strong national and international following. He is well known for his technical craftsmanship, juxtaposition of real and surreal elements, and sharp commentary on the challenging issues of our time.
This exhibition will be on display from November 5 through December 11, with an opening on November 5 from 7pm to 10pm with the artist. Caleb Neelon has written an essay to accompany this show.
Collision explores the concept of transformation, and has both personal significance for the artist as well as global meaning and implications. Transformation - as represented by the animals which Keyes paints with such emotion and realism - could be of a process, cycle, society or civilization, or the transformation of an individual. For Keyes, these works are an extreme and literal examination of the idea of transformation expressed through his personal iconography and imagery, and enhanced by artistic expertise.
Keyes derived the idea for these works from a sixteenth century alchemical engraving of a sequence of images depicting the death and resurrection of a king. The alchemist is one who combines different materials, and through a process involving chemistry and mysticism, orchestrates and transforms. Keyes sees the artist as alchemist - orchestrating and enhancing a sequence of images in combination with a unique personal aesthetic to form a linear, sequential story. For this exhibition, Keyes worked on these paintings concurrently, unlike previous bodies of work where each painting was conceived and completed independently
The 10 paintings in Collision form a story of transformation - each an individual work of art, and yet each connected to the others. Using his trademark animals and symbols, Keyes focuses on change in the context of natural challenges and man-made threats, juxtaposing beauty, fear, hope and disaster in a kaleidoscope pattern which challenges the viewer to search the painting and develop his/her own interpretation and understanding. Keyes has included his largest painting to date, Sowers, 40" by 120" in this exhibition. Collision, however, is just the first installment - the first chapter in an ongoing story. We have much to look forward to.
About the Artist
Josh Keyes was born in Tacoma, Washington. He received a BFA in 1992 from the School of the Art Institute of Chicago and an MFA in 1998 from Yale. Keyes is drawn to the clinical and often cold vocabulary of scientific textbook illustrations, which express the empirical "truth" of the world and natural phenomena. He infuses into a rational stage set many references to contemporary events along with images and themes from his personal mythology and experience. These elements come together in an unsettling vision, one that speaks to the challenges of our time. Keyes currently lives and works in Portland Oregon with his wife, graphic designer Lisa Ericson.
About David B. Smith Gallery
David B. Smith Gallery is Denver's venue for compelling contemporary art. Since its founding in 2007, the gallery has been committed to presenting intelligent and culturally relevant exhibitions featuring work from some of today's most dynamic artists with growing international reputations. Through participation in leading art fairs and extensive media coverage, David Smith has cultivated a strong regional, national and international collector audience. In August 2008, The New York Times hailed the Gallery as offering "an exciting contrast of cutting edge works." In addition to its curatorial program, David B. Smith maintains an active publishing division, Limited Addiction, which produces limited edition artist prints and monographs.
David B. Smith Gallery
1543 A Wazee Street Denver, CO 80202 - 303.893.4234 - firstname.lastname@example.org